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The first piece has four scenes which are (slightly) related. I suspect that the reason no one caught on completely is because I did not have the ability to make the vases as I reaklly wanted them. I wanted them to be more pear-shaped. I am a childbirth (Lamaze) Teacher, and after Ricki's birth, for years now, I have wanted to do this piece of work (the four-part piece). The vases are wombs, and the families shown are:
Closeup of far left: The large family (despite society's concern the mother really nurtures them all with her embrace)
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The second scene:The woman without children, crying and praying for offspring, and who may feel as if her blood is being shed.....
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Note that the entire work was done in brown clay except for one bit which was done with white clay (the white flower): This is the family with a special-needs child
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The far right scene can be well seen on the picture of the complete piece. It is the mother who has only a single child.
The second, smaller piece is one scene, and here it is showing a family where one of the children is leaving behind his religious roots, his "Leaves" are like wings, but his mother is reaching out, tearfully, to try (unsucessfully) to catch him.
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Square Peg 613 was the closest in "catching on", but I can see that I have a long way to go before becoming an artist! LOL!
3 comments:
Pretty neat. Now that you describe it, it makes total sense. I really like it :)
Now that you explained it, you can see it clearly. It's really beautiful.
gorgeous
shavua tov
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